In all these capacities, The Woman in Black is serviceable, if not inspired. Sporting sideburns and a shuffling walk, Radcliffe is fine as an early 20th-century everyman in an emotional fog after the death of his wife, who died giving birth to their son Joseph (Misha Handley, Radcliffe’s real-life godson). I don’t suppose Radcliffe, at 22, is quite old enough for a widowed father of a four-year-old in early 20th-century London. At any rate, his eyes, when he looks at the boy, are not those of a father. But since father and son are separated for nearly the whole film, it’s not a notable handicap.
(from decentfilms.com)
Photo Sources:
screenrant.com; filmcritic.com; entertainment.time.com; screened.com; clothesonfilm.com; digitalspy.com; blogs.indiewire.com; schmoesknow.com; moviemobsters.com; film-node.com; nme.com; popzara.com; movies.yahoo.com;
(from decentfilms.com)
Photo Sources:
screenrant.com; filmcritic.com; entertainment.time.com; screened.com; clothesonfilm.com; digitalspy.com; blogs.indiewire.com; schmoesknow.com; moviemobsters.com; film-node.com; nme.com; popzara.com; movies.yahoo.com;
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